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Andrew Blum is a contributing editor at Metropolis and Wired magazines, and writes the "Desktop" technology column for Print magazine.

He typically writes about architecture, design, technology, urbanism, art and travel-- all subjects arising out of his interest in the relationship between place and technology. His articles have also appeared in The New York Times, The New Yorker, Business Week, Popular Science, Architectural Record, Slate, Surface, Dialogue, The Globe and Mail, The National Post, and Interior Design.

Aside from writing, he has been a guest commentator on KCRW's Design and Architecture; moderated panels or addressed audiences at the Architectural League of New York, the Canadian Consulate in New  York, the AIA San Francisco, the New Ways of Working Network, SXSW Interactive, and Postopolis; and spoken to corporate audiences at Liz Claiborne Inc and Carnegie Fabrics, among others.

A New York City native, he studied English and architecture history at Amherst College, and human geography at the University of Toronto. He lives in Brooklyn with his wife, Davina Pardo.

Email: andrew (at) andrewblum.net 

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Welcome

  • This isn't a blog, but a collection of my published articles-- on architecture, urbanism, design, art, technology and travel. I'm a contributing editor at Wired and Metropolis magazines, living in New York. You can find an archive of articles here and more bio and contact info here.
  • Carbon emissions from office electricity usage and air travel are offset through carbonfund.org.

Metropolis

  • Change Is Good
    Bruce Mau is unafraid to tangle with the status quo.
  • Dreaming in Code
    Jonathan Harris distills the Web’s infinite avalanche of thoughts, facts, and feelings into exquisitely framed portraits of humanity.
  • IDEO’s Urban Pre-Planning
    Can its “Smart Space” practice shake up the lumbering world of infrastructure, zoning, and public process?
  • Model World
    Olivo Barbieri’s photographs.
  • Planning Rwanda
    Thirteen years after the genocide, OZ Architecture and EDAW imagine the physical future of Rwanda.
  • Sound Barrier
    A musical art piece approaches the delicate subject of suicide prevention with an affirmation of life.
  • The Active Edge
    Designed by Michael Van Valkenburgh Associates, Brooklyn Bridge Park seems destined to become New York's third great urban landscape.
  • The Elementalist
    Brad Cloepfil’s emerging body of work may symbolize a shift away from glib shape-making toward a more timeless and lasting architecture.
  • The Peace Maker
    As he works on the landscape at the de Young museum in San Francisco, observers wonder: can Walter Hood bridge the divide between public space and in-your-face architecture?

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